In this interview, noted author, editor, and translator Arturo de Hoyos takes some time to discuss anti-Masonry, esoterica, and his work and role as the Grand Archivist and Grand Historian of the Supreme Council of the Scottish Rite in the Southern Jurisdiction. His biography on Amazon reads that he is considered“America’s foremost scholar on the history, rituals, and symbolism of Scottish Rite Freemasonry, and most other Masonic orders, rites, and systems,” a claim that readily becomes apparent in even just a few brief minutes of talking with him. Greg Stewart (GS) – Br. de Hoyos, thank you for taking the time out of your busy schedule. I’d like to start with the basics by asking how long
We often get so wrapped up in the minutia of the lessons which are taught in the Scottish Rite Degrees that it is easy to overlook the over-riding themes which are presented in the Rite. Almost every Mason knows that the Degrees of Freemasonry represent the journey of a man’s life. For example, it is often said that the Entered Apprentice Degree represents the journey of youth; the passage a young man takes as he begins to consciously weigh the differences between right and wrong, ignorance and knowledge, good and evil, and starts to mold the character he will fashion for himself, using the influences of his life as his guide. He has, in a real sense, been initiated by the circumstances of h
In Rosslyn Chapel, in Scotland, stands a memorial to the remarkable skill of the stonemason’s art. Called the Apprentice Pillar, it might also be called the Pillar of Beauty, for it is an exquisite example of freestone carving by and operative mason. The legend, which may not be as old as the pillar itself, tells of the tragic end of the craftsman who carved it, and the jealousy that caused his murder. Crime of Passion It begins with a Master Mason who assigns an Entered Apprentice the task of carving the third, and most beautiful, of the central pillars in the chapel. He does not give the Entered Apprentice any instruction in how to carve the pillar, perhaps because he wants the Entered App
1 Guarding the West Gate This point is first among these, because we are nothing more or less than who we let in to our fraternity. Not every man should be a Mason, and not every man who should be a Mason belongs in just any Lodge. The brethren have a right and responsibility to determine the standards for their own Lodge, and to ask incisive questions of those men who knock on their door. Lodges should take time to first get to know the men who knock at their doors, and not simply sign any petition just because a man has an interest. Brothers who sign a petition for a man need to know who they are signing for, and more important, need to be willing to serve as his mentor. This is a fundamen
If you have a lot of Mason friends and follow various Masonic and related personalities, like I do, you for sure have noticed how profile photos have been shifting to the signature style portrait drawings of artist Travis Simpkins. Phoenixmasonry is pleased to have had the opportunity to interview this prolific artist so we can all learn more about him and his art. EL (Elena Llamas): Hello, Bro. Travis, thank you for agreeing to this interview. I am honored to have the chance to talk to you about your work, which I have been admiring for quite some time now. TS (Travis Simpkins): Thank you. It is my pleasure. EL: Tell us about your training as an artist. When did you know you had an interest
